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Searle’s splendid cartoon was sold for £11,000. The painting was intended to celebrate Churchill’s 80th birthday and Sutherland had done nothing to disguise effects of age in his portrait of the prime minister.Ĭhurchill hated it, complaining that it made him look half-witted and it subsequently emerged that wife, Clementine, had decided that it should trouble him no more and arranged to have the painting destroyed. In his catalogue introduction to the sale, Beetles noted that a Ronald Searle cartoon called Art: the British public knowing what it likes…, yet another Churchill-inspired work, was Archer’s first purchase.įirst seen in Punch in 1954, it depicts angry men and fainting women, all appalled at their first sight of a portrait commissioned by Parliament from one of England’s more famous 20th century artists, Graham Sutherland. Made for a short-lived publication called The Crown, The Court & Country Families Newspaper, it commemorates a speech made to the Scottish Liberal Association in Edinburgh. However, sold for £8000 in the Archer sale was one he had produced four years earlier. The best-known image of Churchill produced by Frederick Drummond Niblett, better known as ‘Nibs’, is one that appeared in Vanity Fair in 1911. Rupert Hart-Davis, in his 1971 Catalogue of the Caricatures of Max Beerbohm, notes that it was at one time in Winston’s possession and is reproduced in Randolph Churchill’s biography of his father. What we’ve got to do, Gentlemen, is to put some – er – humanising ginger into ‘em.” Winston Churchill – as seen by Max Beerbohm, ‘Nibs’, Ronald Searle and others – was very much one of the star turns.Īt £38,000, a more or less straightforward wartime portrait of a cigar smoking Winnie by Max Beerbohm, illustrated on the News Digest of ATG No 2235, was one of the day’s best-sellers.Ī much earlier example of Beerbohm’s work, a 1909 ink and watercolour drawing titled Draughting a Bill at the Board of Trade was bid to £22,000.Ī much younger Churchill, seated in an armchair and surrounded by older officials, says: “Oh, I understand all these figures, right enough. In the saleroom, private buying was to the fore as 174 of those lots sold for £457,055. The auction dispersed the political cartoon collection that Archer built over a number of years with the collaboration and guidance of a wellknown specialist dealer in the field, Chris Beetles.Īrcher had hoped that the 225-lot collection might find an institutional home, but encountered little enthusiasm for the idea and off to auction it went instead.
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However, it was depictions of others that were found in a March 14 sale held by Sotheby’s (25/20/12.9% buyer’s premium).